Thursday, February 27, 2014
Videogameopolis: The Benefits and Hazards of Indie Game Bundles
Over the last year or two, bundle sites have emerged as a growing force in digital content distribution. These sites run sales for limited amounts of time that "bundle" together video games, music, movies, even digital comic books, selling the complete package at a massively reduced price and often giving some of the proceeds to charity. The benefits to buyers are obvious, as they receive a large amount of content at a huge discount. However, the benefit to content creators, especially indie game developers, can seem more nebulous.
Recently, two independent games developers publicly refused to grant Steam keys, at least temporarily, to past purchasers of their games through bundles and similar sales. Their objections were mostly monetary, believing that the majority of these purchases were people massively underpaying for the product. By focusing on the money, they embraced familiar fallacies of the game development business while also endangering the greatest benefit of bundles, marketing and exposure.
Tuesday, February 18, 2014
Videogameopolis: Jazzpunk Review
Jazzpunk is a comedy video game. It's not a first person shooter, or adventure game, or any other traditional genre. It's an interactive experience that functions solely to get a laugh or smile, and its game mechanics either set up the punchline or are part of the joke.
Set in a bizarre alternative universe, Jazzpunk stars a secret agent named Polyblank, who you guide through multiple missions in a bizarrely anachronistic world. The themes are 50s and 60s spy movies with evil Russians and Bond style villains, but there's also cyberpunk technology and flying cars straight out of the Jetsons. All characters have the same shape as the silhouettes that mark bathroom doors, and they all make constant puns that imply they know they're in a computer, or at least partly electronic. It's Get Smart if Mel Brooks was obsessed with computers and further deranged.
The world makes little sense, then, which is entirely the point. Reality warping medications send the protagonist hurtling into each adventure, with simple instructions to complete, like retrieving secret documents or experimental technology. It quickly becomes apparent that the main point of the game is not to complete objectives, but to explore every environment and try to interact with every detail. Everything is a potential toy, and even random filler characters often have multiple lines of dialogue.
Thursday, January 30, 2014
Return to Normalcy: January 2014 Edition
Those looking for excessively cynical discussions of travel or over-thinking of video games and collectibles can ignore the following ramblings. The short version of the story is that posting will resume soon, after the recent not-so-short break. I'm not dead yet, as it were.
For the long version, we must return to the month of December, a time of joy, togetherness, giving spirit, chaos, disorder, worsening weather, and perpetual rushing. Since my wife and I moved to Florida, we have only found time to return to Indiana once a year. Preparing to leave for an entire week while also performing our normal duties is always a challenge. This year a succession of social and work related events were also spread throughout the December calendar.
| For something completely different, a nursing baby manatee. |
Tuesday, December 10, 2013
Videogameopolis: Nuclear Throne First Impressions
Independent game developer Vlambeer is no stranger to pain. The tiny two man team, along with occasional collaborators, have witnessed their best efforts stolen by unscrupulous rivals. Until recently, these clones of their games have also found a decent amount of success, discouraging these brilliant creators with a heavy dose of despair. Their fortunes have begun to turn recently, but it seems that they've decided to inflict some of that pain on others. Nuclear Throne is that pain, and it's exhilarating.
Nuclear Throne is the latest game to take inspiration from the "roguelike" genre, which is known for heavily randomized levels, high difficulty, and permanent death of game characters. These types of games give no quarter and no mercy, and only once chance to complete them. Traditionally, it's been a niche genre, due to the high skill level and time investment required. Recent games have taken the principles of these games but quickened the pace and shortening the experience. You can realistically finish in a couple hours, once you've played enough to not die within the first few minutes.
Wednesday, December 4, 2013
Vinylmation Problems: The Wide Spectrum of Collectors
As pointed out in the evaluation of trade boxes, Vinylmation fans have a wide range of concerns and desires, many of which directly contradict each other. These conflicting views come from a wide range of goals that collectors have. Each collector brings their own personal quirks that may place them in conflict with the collecting of others.
Often, collectors see the hobby only from their personal viewpoint. They fail to take the goals of others into consideration, and thus think that Disney's decisions are obviously wrong or problems are easy to fix. By understanding the various types of traders, all the factors become clear that must be balanced for a healthy hobby and collecting community.
Tuesday, November 26, 2013
Meet Lil' Joe, Epcot's New Manatee
The zoos and aquatic attractions of Florida work together to aid and preserve manatee, gentle giants often injured by pollution and boat propellers. Epcot's Living Seas pavilion is no exception, housing a small manatee rehabilitation facility inside the larger aquariums. By law, manatees are cared for as wild creatures, with care focused on the eventual release of the animals
For the last couple years, Disney has housed two manatees that survived boat strikes, named Lou and Vail. Both suffered serious injuries that left their tails in tatters, which made release difficult. It seems Vail has either been transferred to another facility or been released, as he's no longer at Epcot.
Friday, November 22, 2013
The Misanthrope's Guide to Proper Disney World Parking
Part of the Misanthrope's Guide to Disney World, a
series of posts on surviving the theme parks for people who hate people.
The main guide page can be found here, with links to previous posts.
Parking in theme parks is often one of the most miserable parts of the day. In the morning, it's the arduous, overwhelming hassle that bleary eyed visitors must undertake before they are truly awake. In the evening, it's the last obstacle for exhausted tourists as they fight alternating weariness and rage as they sit in unmoving traffic.
Having acquired excessive land and foreseeing the potential nightmares, Disney designed parking lots with minimal hassles and maximum capacity in mind. Parking areas are massive, flow through multiple entrances into carefully guided spots, and enter from and exit directly to major roads. Everything is designed to minimize the likelihood of traffic jams and remove most of the hassles that make the beginning and end of the day so painful.
Unfortunately, Disney forgot one thing when they planned this perfect parking solution. They failed to account for the fact that many of the people parking their cars every day are inconsiderate, reckless buffoons. Unless a mandatory driving class is required before using the parking lots, there is most likely no way to eliminate the problem of bad motorists. However, these guidelines may help alleviate a few cases of theme park road rage.
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