Videogameopolis: Chucky Mendoza and the Curse of the Pharaoh Review

Chucky Mendoza and the Curse of the Pharaoh

Developer: {ths}

Available from Itch.Io for $.99+ or Free (with optional payment) from Developer Website

Indie games tend to be labeled "retro" by people who don't appreciate the simpler, often pixel based aesthetics that those games often utilize. The reason for these art styles is usually not nostalgia, but rather a choice driven by artistic design or budget requirements. Occasionally, though, there's a game that proudly trumpets it's retro feel. Chucky Mendoza and the Curse of the Pharaoh sells itself as a nostalgic throwback to a simpler, more difficult era, one that may not be appealing to everyone.

Chucky Mendoza's feature list is a refutation of all the evolutions in game since its earliest days. It's a list of things the game doesn't feature, including "save points," "tutorials," "extras," and "achievements." Inspired primarily by 8 bit platforming games from the Commodore 64, it evokes their feel by avoiding any modern game design, except for slightly better pixel graphics.

Videogameopolis: Tone Friends Review

 

 

Tone Friends

Developer:  01010111

Available from Itch.Io for $1+

Tone Friends by developer 01010111 is advertised as a "cute collection of music and sound games for anyone to play." Comprised of five simple flash games based around the basics of music and sound, it's an interesting diversion that unintentionally pulls off a great feat. In a world comprised of exploitative business models disguised as games for kids, Tone Friends manages to be a great interactive experience for young children that can also teach a little about music, as well.

All games are entirely controlled by the arrow keys, and most are easy to comprehend with little instruction. The art style evokes some of the earliest video games, with simple pixel art work and black and white color palette. Flashes of color and some higher fidelity designs are used as accents, which stand out from the more primitive surroundings. Colors mark out success, help denote what's important in the game, or just provide extra feedback along with the sound.

Videogameopolis: Escape Goat 2 Review

 

Even though they encompass an incredible variety of ideas, most indie games tend to work within tried and true genres, whether to subvert them, perfect them, or use them as a tool for other purposes. Escape Goat 2 is a puzzle game that aims for perfection, minimizing most skill-based platforming while focusing on logic and timing puzzles. It also stars a purple goat and a mystical mouse, but that's not especially relevant. This game isn't a joke, unlike some other goat themed releases, and it deserves far more attention for its spectacular puzzle design.

Escape Goat 2 is the sequel to a pixel graphic puzzle platformer released in 2011. The original game received acclaim for its ingenious puzzles and intuitive learning curve, and even inspired a Hey Ash, Whatcha Playin? episode, but had to struggle through Greenlight to receive a release on Steam. The sequel has gained the honor of being the first game published by beloved developer Double Fine, but still has not received as much attention as it deserves.

The Misanthrope's Guide to the 2014 Epcot Flower and Garden Festival

 Part of the Misanthrope's Guide to Disney World, a series of posts on surviving the theme parks for people who hate people. The main guide page can be found here, with links to previous posts.

Spring is a wonderful time in Florida. The weather is the perfect temperature, the summer storms have yet to arrive, and tourists only appear in sporadic bursts rather than a constant torrent. The birds are chirping, the rabbits are multiplying like rabbits, and Epcot's annual Flower and Garden Festival returns for yet another year. Like Spring itself, it's pretty much the same as last year, but it's definitely a welcome return.

The Epcot International Flower and Garden Festival, for those who haven't read my previous articles on it, is a two month long celebration of flora and vegetation, along with the occasional sniff of industrial strength fertilizer. Traditionally, it's been the less attended of Epcot's major festivals, since staring at vibrant flowers has less general appeal than getting plastered on wine or seeing a dizzying array of international Santas. For a nature loving misanthrope, however, it's always been wonderful, as the non-Spring Break crowds were dead and the park came alive with vibrant colors.

Videogameopolis: The Benefits and Hazards of Indie Game Bundles

Over the last year or two, bundle sites have emerged as a growing force in digital content distribution. These sites run sales for limited amounts of time that "bundle" together video games, music, movies, even digital comic books, selling the complete package at a massively reduced price and often giving some of the proceeds to charity. The benefits to buyers are obvious, as they receive a large amount of content at a huge discount. However, the benefit to content creators, especially indie game developers, can seem more nebulous.

Recently, two independent games developers publicly refused to grant Steam keys, at least temporarily, to past purchasers of their games through bundles and similar sales. Their objections were mostly monetary, believing that the majority of these purchases were people massively underpaying for the product. By focusing on the money, they embraced familiar fallacies of the game development business while also endangering the greatest benefit of bundles, marketing and exposure.

Videogameopolis: Jazzpunk Review

Jazzpunk is a comedy video game. It's not a first person shooter, or adventure game, or any other traditional genre. It's an interactive experience that functions solely to get a laugh or smile, and its game mechanics either set up the punchline or are part of the joke.

Set in a bizarre alternative universe, Jazzpunk stars a secret agent named Polyblank, who you guide through multiple missions in a bizarrely anachronistic world. The themes are 50s and 60s spy movies with evil Russians and Bond style villains, but there's also cyberpunk technology and flying cars straight out of the Jetsons. All characters have the same shape as the silhouettes that mark bathroom doors, and they all make constant puns that imply they know they're in a computer, or at least partly electronic. It's Get Smart if Mel Brooks was obsessed with computers and further deranged.

The world makes little sense, then, which is entirely the point. Reality warping medications send the protagonist hurtling into each adventure, with simple instructions to complete, like retrieving secret documents or experimental technology. It quickly becomes apparent that the main point of the game is not to complete objectives, but to explore every environment and try to interact with every detail. Everything is a potential toy, and even random filler characters often have multiple lines of dialogue.

Return to Normalcy: January 2014 Edition

Those looking for excessively cynical discussions of travel or over-thinking of video games and collectibles can ignore the following ramblings. The short version of the story is that posting will resume soon, after the recent not-so-short break. I'm not dead yet, as it were.

For the long version, we must return to the month of December, a time of joy, togetherness, giving spirit, chaos, disorder, worsening weather, and perpetual rushing. Since my wife and I moved to Florida, we have only found time to return to Indiana once a year. Preparing to leave for an entire week while also performing our normal duties is always a challenge. This year a succession of social and work related events were also spread throughout the December calendar.

For something completely different, a nursing baby manatee.